5 Dollars 1977, New Zealand
in Krause book | Number: 165d |
Years of issue: | 1977 - 1981 |
Edition: | |
Signatures: | Chief Cashier: Mr. H. R. Hardie |
Serie: | Decimal system. The Third Issue |
Specimen of: | 10.07.1967 |
Material: | Cotton fiber |
Size (mm): | 150 х 75 |
Printer: | TDLR (Thomas de la Rue & Company), London |
* All pictures marked are increased partially by magnifying glass, the remaining open in full size by clicking on the image.
** The word "Specimen" is present only on some of electronic pictures, in accordance with banknote images publication rules of appropriate banks.

Description
Watermark:
Captain James Cook (7 November 1728 - 14 February 1779) was a British explorer, navigator, cartographer, and captain in the Royal Navy. Cook made detailed maps of Newfoundland prior to making three voyages to the Pacific Ocean, during which he achieved the first recorded European contact with the eastern coastline of Australia and the Hawaiian Islands, and the first recorded circumnavigation of New Zealand.
Cook joined the British merchant navy as a teenager and joined the Royal Navy in 1755. He saw action in the Seven Years' War, and subsequently surveyed and mapped much of the entrance to the Saint Lawrence River during the siege of Quebec. This helped bring Cook to the attention of the Admiralty and Royal Society. This notice came at a crucial moment in both Cook's career and the direction of British overseas exploration, and led to his commission in 1766 as commander of HM Bark Endeavour for the first of three Pacific voyages.
In three voyages Cook sailed thousands of miles across largely uncharted areas of the globe. He mapped lands from New Zealand to Hawaii in the Pacific Ocean in greater detail and on a scale not previously achieved. As he progressed on his voyages of discovery he surveyed and named features, and recorded islands and coastlines on European maps for the first time. He displayed a combination of seamanship, superior surveying and cartographic skills, physical courage and an ability to lead men in adverse conditions.
Cook was killed in Hawaii in a fight with Hawaiians during his third exploratory voyage in the Pacific in 1779. He left a legacy of scientific and geographical knowledge which was to influence his successors well into the 20th century and numerous memoria worldwide have been dedicated to him.
It is possible, that the prototype image of James Cook on the banknote was the work by artist Nathaniel Dance, finished in London on 25 May 1776.
Avers:
This portrait of Her Majesty is adapted from a photograph, taken prior to a Royal Tour of India and Pakistan by Anthony Buckley in October 1960, and it is one of the more widely used images of The Queen.(Peter Symes)
I found this image here "National Portrait Gallery". The portrait on banknote is, probably, taken from this photo session.
Her Majesty is shown wearing Queen Alexandra's Kokoshnik Tiara, the King George VI Festoon Necklace, and Queen Mary's Floret Earrings.
The Kokoshnik Tiara, which is sometimes known as the Russian Fringe Tiara, was designed in the style of a Russian peasant girl's headdress. The design of the Kokoshnik tiara was based on a similar tiara, owned by Queen Alexandra's sister, The Empress of Russia. Created by "Garrard", the tiara has sixty-one platinum bars set with 488 diamonds. The tiara was presented to Queen Alexandra, while still a princess, on the occasion of her silver wedding anniversary. It was a gift from three hundred and sixty-five peeresses of the realm. The Festoon Necklace was created from one hundred and five diamonds, at the request of King George VI, from diamonds he inherited on becoming King.
In 1950, King George VI had a diamond necklace created for his daughter Princess Elizabeth using 105 loose collets that were among the Crown heirlooms he inherited. (These, according to Hugh Roberts, had been used by Queen Mary to change the lengths of her multiple diamond collet necklaces, hence their loose status in the collection.) The end result is this take on a triple strand necklace: three strands of graduated collets suspended between two diamond triangles, with a single collet strand at the back. This is also called simply the Queen’s Festoon Necklace, though I’ll use George VI’s name to be a little more specific.
Even though her collection of diamond necklaces has vastly increased since 1950, this is still a favorite with the Queen and she wears it on a fairly regular basis."From her Majesty's Jewel vault".
These diamond and platinum earrings are another example of the multiple changes Queen Mary made to her jewels. The large central stones are the Mackinnon diamonds, a pair of solitaire earrings that were a wedding gift from Sir William Mackinnon to Mary for her wedding in 1893.
The stones were then set as the center of another pair, Queen Mary's Cluster Earrings. Later on, they were replaced and a new setting was created by Garrard, Queen Mary's Floret Earrings. In their new setting, each one is surrounded by seven slightly smaller diamonds. The earrings were inherited by the Queen on Queen Mary's death in 1953. She wears them for occasions like the State Opening of Parliament, the Garter Day ceremony, and other formal events. "From her Majesty's Jewel vault"
Various geometric patterns used to supply the necessary security and enhance the design. Value of note on top left and bottom right corners with the serial number opposite. Central portion carries the words: “This note is legal tender for....”.
Revers:
The Tui (Prosthemadera novaeseelandiae) is an endemic passerine bird of New Zealand. It is one of the largest members of the diverse honey eater family. The name tui is from the Maori language name tūī and is the species' formal common name. The plural is tui in modern English, or ngā tūī in Māori usage. Some speakers still use the '-s' suffix to produce the Anglicized form tuis to indicate plurality; however, this practice is becoming less common.
This bird is one of our most common species, and on that account generally receives less attention in its own country than its singular beauty merits. It was described and figured, as early as the year 1776, in Brown's "Illustrations of Zoology" and has since been mentioned by nearly every writer on general ornithology. In 1840 Mr. G. R. Gray made it the type of a new genus, in which, up to the present time, it stands quite alone.
The early colonists named it the "Parson-bird" in allusion to the peculiar tufts of white feathers that adom its throat, and their fancied resemblance to the clerical bands.
To those who are familiar with the bird in its native woods, this name is certainly appropriate; for when indulging in its strain of wild notes, it displays these " bands," and gesticulates in a manner forcibly suggestive of the declamatory style of preaching, or, as Dr. Thompson graphically expresses it, "sitting on the branch of a tree, as a pro tempore pulpit, he shakes his head, bending to one side and then to another, as if he remarked to this one and to that one ; and once and again, with pent-up vehemence, contracting his muscles and drawing himself together, his voice waxes loud, in a manner to waken sleepers to their senses!"
Owing to its excellent powers of mimicry, and the facility of rearing it in confinement, it is a favourite cage-bird, both with the natives and the colonists. Although of very delicate consti89 tution, it has been known to live in confinement for upwards of ten years. More frequently, however, it becomes subject, after the first year, to convulsive fits, under which it ultimately succumbs.
Cleanliness, a well-regulated diet, and protection from extremes of temperature are the
proper safeguards. I had as many as ten of them caged at one time ; but they died off one by one, and invariably in the manner indicated. Naturally of a sprightly disposition, it is cheerful and playful in captivity, incessantly flitting about in its cage and mimicking every sound within hearing. It will learn to articulate sentences of several words with clearness, and to imitate the barking of a dog to perfection. One, which I had kept caged in the same room with a Parrakeet (Platycercus aurieeps), acquired the rapid chattering note of that species ; and another, in the possession of a friend, could whistle several bars of a familiar tune in excellent time. The Maoris fully appreciate the mocking-powers of this bird, and often devote much time and patience
to its instruction.
There are some wonderful stories current among them of the proficiency it sometimes acquires; and I may mention an amusing incident that came under my own notice at Eangitikei some years ago. I had been addressing a large meeting of natives in the Wharerunanga, or Council-house, on a matter of considerable political importance, and had been urging my views with all the earnestness that the subject demanded: immediately on the conclusion of my speech, and before the old chief, to whom my arguments were chiefly addressed, had time to reply, a Tui, whose netted cage hung to a rafter overhead, responded, in a clear emphatic way, "Tito!" (false). The circumstance naturally caused much merriment among my audience, and quite upset the gravity of the venerable old chief Nepia Taratoa. "Friend" said he, laughing,"your arguments are very good; but my mokai is a very wise bird, and he is not yet convinced!".
In a state of nature the Tui is even more lively and active than in captivity. It is incessantly on the move, pausing only to utter its joyous notes. The early morning is the period devoted to melody, and the Tuis then perform in concert, gladdening the woods with their wild ecstacy. Besides their chime of five notes (always preceded by a key-note of preparation), they indulge hi a peculiar outburst which has been facetiously described as " a cough, a laugh, and a sneeze," and a variety of other notes, fully entitling it to be ranked as a songster. Its flight is rapid, graceful, and slightly undulating, the rustling of the wings as they are alternately opened and closed being distinctly audible. Layard mentions ('Ibis,' 1863, p. 243) the peculiar habit
which this bird has of mounting high in the air during fine weather, in parties of six or more, and performing wide aerial circles or indulging in a sportive flight,"turning, twisting, throwing somersaults, dropping from a height with expanded wings and tails, and performing other antics, till, as if guided by some preconcerted signal, they suddenly dive into the forest and are lost to view." High in the ah it may sometimes be seen closing the wings and supporting the body for a few moments by a rapid perpendicular movement of the expanded tail ; and slowly descending in this manner to a lower level, it speeds forward with half-closed wings and tail, and then rises high in the air again by a rapid vibration of those members.
The food of the Tui consists of ripe berries of various kinds, flies and other insects, and the honey of certain wild flowers. To enable it to collect the latter, the tongue is furnished at its termination with a brush of exquisite fineness, a characteristic common to all the true honey-eaters.
When the functions of life are suspended or interfered with, this little brush protrudes from the bill. This occurs not only after death, but in the case of the sickly Tui; and the involuntary protrusion of the tongue may generally be accepted as a fatal symptom. (E.L.Buller, "A History of the Birds of New Zealand")
Kowhai (Sophora microphylla), a tree with large golden nectar-secreting blossoms.
Kōwhai are small, woody legume trees in the genus Sophora native to New Zealand. There are eight species, Sophora microphylla and S. tetraptera being the most recognized as large trees. Their natural habitat is beside streams and on the edges of forest, in lowland or mountain open areas.
Kōwhai trees grow throughout the country and are a common feature in New Zealand gardens. Outside of New Zealand, kōwhai tend to be restricted to mild temperate maritime climates.
The name kōwhai comes from the Māori word for yellow-a reference to the colour of the flower. It is also called kōhai in some areas. Usually the name is spelled as kōwhai (frequently without the macron). Despite having no official status as such, the blooms of the kōwhai are widely regarded as being New Zealand's national flower.
In the months of October and November, when the kowhai (Sqpkora grandiflora) has cast its leaves and is covered with a beautiful mantle of yellow flowers, its branches are alive with Tuis; and in December and January, when the Phormium teuax is in full bloom, they leave the forest and repair to the flaxfields to feast on the korari honey.
Denominations in numerals bottom left and top right. In words top left.
Comments:
Image of Tui, sitting on a branch of Sophora microphylla, has been depicted on the coins of New Zealand. One such coin I found at home.
The Dollar introduced since 10.07.1967 instead of the New Zealand pound, 1 pound = $ 2.
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