500 Schilling 1985, Austria
| in Krause book | Number: 151 |
| Years of issue: | 20.06.1986 - 20.10.1986 |
| Edition: | |
| Signatures: | Generalrat: Dr. Heinrich Treichel, Präsident: Dr. Stefan Koren, Generaldirektor: Dr. Heinz Kienzl |
| Serie: | 1983 - 1988 Issue |
| Specimen of: | 01.07.1985 |
| Material: | Cotton fiber |
| Size (mm): | 144 х 72 |
| Printer: | Oesterreichische Banknoten und Sicherheitsdruck, Wien |
* All pictures marked 
are increased partially by magnifying glass, the remaining open in full size by clicking on the image.
** The word "Specimen" is present only on some of electronic pictures, in accordance with banknote images publication rules of appropriate banks.
Description
Watermark:
Austrian coat of arms.
Avers:
Otto Koloman Wagner (13 July 1841 – 11 April 1918) was an Austrian architect and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. All of his works are found in his native city of Vienna, and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture.
By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898, with his designs of Vienna Metro stations, his style became floral and Art Nouveau, with decoration by Koloman Moser. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, clearly expressed their function. They are considered predecessors to modern architecture. 
Lower is a part of column - architectural symbol.
Top left is the coat of arms.
The current coat of arms of Austria, albeit without the broken chains, has been in use by the Republic of Austria since 1919. Between 1934 and the German annexation in 1938 Austria used a different coat of arms, which consisted of a double-headed eagle. The establishment of the Second Republic in 1945 saw the return of the original (First Republic) arms, with broken chains added to symbolise Austria's liberation.
The blazon of the Federal Arms of the Republic of Austria reads:
Gules a fess Argent, escutcheon on the breast of an eagle displayed Sable, langued Gules, beaked Or, crowned with a mural crown of three visible merlons Or, armed Or, dexter talon holding sickle, sinister talon holding hammer, both talons shackled with chain broken Argent.
The symbols and emblems used in the Austrian arms are as follows:
The Eagle: Austria's sovereignty (introduced 1919)
The escutcheon Emblem of Austria (late Middle Ages, reintroduced 1915)
The mural crown: The middle class (introduced 1919)
The sickle: Agriculture (introduced 1919)
The Hammer: Industry (introduced 1919)
The broken chains: Liberation from National Socialist dictatorship (added 1945).
Denominations in numerals are in three corners and at right field of banknote as background. In words top, centered.
Revers:
In his later years, Wagner experimented continually. He tried new materials, such as aluminum, which he used in the decoration of the entrance of the dispatch office the Die Zeit newspaper in Vienna. His most ambitious experiment was the The Austrian Postal Savings Bank (1903-1912), which is often considered his most famous and most influential building. It was the prime example of his doctrine that form follows function. He wrote, "All modern creation should correspond to the new materials and the new demands of our time, if it is to harmonize modern man.
Wagner conceived the building in 1903, when he was sixty-two years old, and continued working on it until it was completed, when he was seventy-one. The exterior was covered with marble plates in a purely geometric pattern, with no ornament. The most remarkable features were the interiors. The central banking room, where the cashiers were located, had a suspended steel and glass ceiling, and a floor of glass tiles. He made extensive use of new materials, such as aluminum, for the door knobs, grills, lamps, and other details throughout the building. It had no decoration; every very element was designed to be clean, geometric, and functional. He designed the furniture to complement the style of the architecture.
Denominations in numerals are in three corners. In words lower, centered.
Comments:
Austria - one of the first states to use in their own monetary system hologram as a means of protection.
Designer: Robert Kalina.
Robert Kalina (born 29 June 1955) is an Austrian designer. For the National Bank of Austria he created the T 382 design, which was the winning design of the 1996 competition for the art shown on the euro banknotes. Kalina's design was chosen by the EMI Council (European Monetary Institute) on 3 December 1996. Kalina also designed the banknotes for the Azerbaijani manat, the 2010 series of the Syrian Pound and the Bosnia and Herzegovina convertible mark.
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