50 Drachmes 1939, Greece
| in Krause book | Number: 107a |
| Years of issue: | 1941 |
| Edition: | -- |
| Signatures: | Vice-Governor: Andreas Papadimitriou, Governor : Emmanuel Tsouderos |
| Serie: | No Serie |
| Specimen of: | 01.01.1939 |
| Material: | Cotton fiber |
| Size (mm): | 146 x 72 |
| Printer: | TDLR (Thomas de la Rue & Company), London |
* All pictures marked 
are increased partially by magnifying glass, the remaining open in full size by clicking on the image.
** The word "Specimen" is present only on some of electronic pictures, in accordance with banknote images publication rules of appropriate banks.
Description
Watermark:
Avers:
The engraving on banknote is, presumably, made after this bust of Hesiod, VII Century B.C.
Hesiod was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. His is the first European poetry in which the poet regards himself as a topic, an individual with a distinctive role to play. Ancient authors credited him and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought (he is sometimes identified as the first economist), archaic Greek astronomy and ancient time-keeping.
Lower is the White Tower of Thessaloniki (Ladino: Kuli Blanka,Greek: Λευκός Πύργος Lefkos Pyrgos).
On banknote depicted the white tower in 1912, showing the chemise that surrounded the tower until its demolition in 1917.
The White Tower of Thessaloniki (Ladino: Kuli Blanka,Greek: Λευκός Πύργος Lefkos Pyrgos), is a monument and museum on the waterfront of the city of Thessaloniki, capital of the region of Macedonia in northern Greece. The present tower replaced an old Byzantine fortification which was mentioned around the 12th century and reconstructed by the Ottomans to fortify the city's harbour; it became a notorious prison and scene of mass executions during the period of Ottoman rule. It was substantially remodeled and its exterior was whitewashed after Greece gained control of the city in 1912. It has been adopted as the symbol of the city.
The White Tower takes the form of a cylindrical drum 23 m. (75 ft) in diameter with a height of 34 m (112 ft) above ground level, on top of which is a turret 12 m. (39 ft) in diameter and 6 m. (20 ft) high. Some of the embrasures in the outer wall of the tower are reached by a spiral ramp; others are accessed from a central room on each of the six floors. The turret houses a platform with a diameter of 10 m. (33 ft), and the platform at the top of the main tower in front of the turret is about 5 m. (16 ft) wide.
The tower has been altered substantially over the decades. Early illustrations show that it was originally covered by a conical roof, like similar towers in the Yedikule Fortress and Rumelihisarı fortress in Istanbul. Until its demolition in 1917, a chemise stood at the foot of the tower, supporting the heavy guns and enclosing an area at least three times the diameter of the main tower. Octagonal turrets on the chemise and caponiers at ground level provided flanking fire around the tower. It is unclear whether the chemise was part of the original scheme for the tower or was a later addition.
The tower, which once guarded the eastern end of the city's sea walls, was for many years attributed to Venice, to which the Byzantines ceded Thessaloniki in 1423. It is now known definitely that the tower was constructed by the Ottomans some time after the army of Sultan Murad II captured Thessaloniki in 1430. Until 1912, an inscription in Ottoman Turkish verse above the door dated the structure to AH 942 (1535-1536). The historian Franz Babinger speculated that the work was designed by the great Ottoman architect Mimar Sinan, who is known to have built fortifications, including a similar tower at the Albanian port Valona in 1537. The present tower likely replaced an older Byzantine tower mentioned by the XII-century archbishop Eustathios during the sack of 1185.
The Tower was used by the Ottomans successively as a fort, garrison and a prison. In 1826, at the order of the Sultan Mahmud II, there was a massacre of the rebellious Janissaries imprisoned there. Owing to the "countless victims of Ottoman torturers and executioners", the tower acquired the name "Tower of Blood" or "Red Tower" (Turkish: Kanli Kule), which it kept until the end of the XIX century.
The Tower was for centuries part of the walls of the old city of Thessaloniki, and separated the Jewish quarter of the city from the cemeteries of the Muslims and Jews. The city walls were demolished in 1866. When Thessaloniki was annexed from the Ottoman Empire to the Hellenic State in 1912 during the First Balkan War, the tower was whitewashed as a symbolic gesture of cleansing, and acquired its present name. King George I of Greece was assassinated not far from the White Tower in March 1913.
The Tower is now a buff colour but has retained the name White Tower. It now stands on Thessaloniki's waterfront boulevard, Nikis (Victory) Street. It houses a museum dedicated to the history of Thessaloniki and is one of the city's leading tourist attractions. The Tower is under the administration of the Ephorate of Byzantine Antiquities of the Greek Ministry of Culture. 
Denomination is in the middle.
Revers:
Section of frieze is reunited with the panel depicting Poseidon, Apollo and Artemis in Athens.
Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals". The Arcadians believed she was the daughter of Demeter.
In the classical period of Greek mythology, Artemis (Ancient Greek: Ἄρτεμις) was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows. The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth.
Apollo (Attic, Ionic, and Homeric Greek: Ἀπόλλων, Apollōn (GEN Ἀπόλλωνος); Doric: Ἀπέλλων, Apellōn; Arcadocypriot: Ἀπείλων, Apeilōn; Aeolic: Ἄπλουν, Aploun; Latin: Apollō) is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of light and the sun, truth and prophecy, healing, plague, music, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu.
Poseidon (Greek: Ποσειδῶν, pronounced [pose͜edɔ́͜ɔn]) is one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain is the ocean, and he is called the "God of the Sea". Additionally, he is referred to as "Earth-Shaker" due to his role in causing earthquakes, and has been called the "tamer of horses". He is usually depicted as an older male with curly hair and beard.
The Parthenon frieze is the low-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives some 80 percent. The rest is known only from the drawings made by French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.
At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.
Comments:
Banknote mainly circulated in the Middle East.
If you find my work useful I will be grateful for any help in supporting the site.
-
PayPal