10000 Lei 2000, Romania
in Krause book | Number: 112a |
Years of issue: | 2000 |
Edition: | |
Signatures: | Guvernator: Dr. Emil Iota Ghizari, Casier Central: Ionel Nitu |
Serie: | 2000 Issue |
Specimen of: | 1999 |
Material: | Polymer |
Size (mm): | 150 х 60 |
Printer: | Imprimeria Bancii Nationale a Romaniei, Bucuresti |
* All pictures marked are increased partially by magnifying glass, the remaining open in full size by clicking on the image.
** The word "Specimen" is present only on some of electronic pictures, in accordance with banknote images publication rules of appropriate banks.

Description
Watermark:
Plastic window: The crusader, with a cross in its beak.
Nicolae Iorga. Logo of the bank.
Avers:
Coat of arms of Romania is in top right corner.
The coat of arms of Romania was adopted in the Romanian Parliament on 10 September 1992 as a representative coat of arms for Romania. It is based on the Lesser Coat of Arms of the Kingdom of Romania (used between 1922 and 1947), redesigned by Victor Dima. As a central element it shows a golden aquila holding a cross in its beak and a mace and a sword in its claws. It also consists of the three colors: red, yellow, and blue, which represent the colors of the national flag.
Azure, an eagle displayed Or beaked and taloned Gules holding in its beak an Orthodox Cross Or, in its dexter talon a sword, and in its sinister talon a mace Argent. An inescutcheon Quarterly:
I, Azure, an eagle displayed Or beaked and taloned Gules holding in its beak an Orthodox Cross Or, between in dexter chief a bezant and in sinister chief an increscent Or (for Wallachia)
II, gules, a bull's head caboshed Argent, between in dexter base a rose and in sinister base a decrescent Argent; between the Bull's horns, a mullet Or (for Moldavia)
III, Gules, issuant from water Azure in base a bridge of two arches embattled from which is issuant a lion rampant Or brandishing a sabre proper (for Oltenia and Banat)
IV, Per fess Azure and Or, a bar Gules issuant therefrom an eagle displayed between in sinster chief a decrescent Argent and in dexter chief a bezant; in base seven castles Gules (for Transylvania)
Entree en point, Gules, two dolphins urinant respectant Or (for Dobrogea).
In center is a seal of Romanian Bank.
Nicolae Iorga (sometimes Neculai Iorga, Nicolas Jorga, Nicolai Jorga or Nicola Jorga, born Nicu N. Iorga; January 17, 1871 - November 27, 1940) was a Romanian historian, politician, literary critic, memoirist, poet and playwright. Co-founder (in 1910) of the Democratic Nationalist Party (PND), he served as a member of Parliament, President of the Deputies' Assembly and Senate, cabinet minister and briefly (1931-1932) as Prime Minister. A child prodigy, polymath and polyglot, Iorga produced an unusually large body of scholarly works, consecrating his international reputation as a medievalist, Byzantinist, Latinist, Slavist, art historian and philosopher of history. Holding teaching positions at the University of Bucharest, the University of Paris and several other academic institutions, Iorga was founder of the International Congress of Byzantine Studies and the Institute of South-East European Studies (ISSEE). His activity also included the transformation of Vălenii de Munte town into a cultural and academic center.
In parallel with his scientific contributions, Nicolae Iorga was a prominent right-of-center activist, whose political theory bridged conservatism, nationalism and agrarianism. From Marxist beginnings, he switched sides and became a maverick disciple of the Junimea movement. Iorga later became a leadership figure at Sămănătorul, the influential literary magazine with populist leanings, and militated within the Cultural League for the Unity of All Romanians, founding vocally conservative publications such as Neamul Românesc, Drum Drept, Cuget Clar and Floarea Darurilor. His support for the cause of ethnic Romanians in Austria-Hungary made him a prominent figure in the pro-Entente camp by the time of World War I, and ensured him a special political role during the interwar existence of Greater Romania. Initiator of large-scale campaigns to defend Romanian culture in front of perceived threats, Iorga sparked most controversy with his antisemitic rhetoric, and was for long an associate of the far right ideologue A. C. Cuza. He was an adversary of the dominant National Liberals, later involved with the opposition Romanian National Party.
Late in his life, Iorga opposed the radically fascist Iron Guard, and, after much oscillation, came to endorse its rival King Carol II. Involved in a personal dispute with the Guard's leader Corneliu Zelea Codreanu, and indirectly contributing to his killing, Iorga was also a prominent figure in Carol's corporatist and authoritarian party, the National Renaissance Front. He remained an independent voice of opposition after the Guard inaugurated its own National Legionary dictatorship, but was ultimately assassinated by a Guardist commando.
Gentian flowers is in center.
Gentiana asclepiadea (willow gentian) is a species of flowering plant of the genus Gentiana in the family Gentianaceae, native to central and eastern Europe from primarily mountain (montane) woodland though it does occur in less wooded open pasture in some areas, perhaps persisting after woodland clearance.
Denomination in numeral is in top right corner. In words in lower right corner. In numeral and words are in lower left corner.
Revers:
Logos of the Romanian bank are in lower left and top right corners.
The Cathedral of Curtea de Argeș (early XVI century) is a Romanian Orthodox cathedral in Curtea de Argeș, Romania. It is located on the grounds of the Curtea de Argeș Monastery, and is dedicated to Saint Nicholas.
The cathedral is faced with pale grey limestone, which was easily chiseled then hardened on exposure. The interior is of brick, plastered and decorated with frescoes. Nearby on the grounds stands a large Moorish style royal palace.
The building resembles a very large and elaborate mausoleum, and was built in the Byzantine style, with Moorish arabesques. The cathedral is upon a raised platform, 7 ft. (2.1 m) above the surrounding grade, and encircled by a stone balustrade. In shape the structure is oblong, with a many-sided annex at the back. A dome rises in the center, fronted by two smaller twisting and leaning cupolas, while a secondary dome, broader and loftier than the central one, springs from the annex. Each summit is crowned by an inverted pear-shaped stone, bearing a triple cross, emblematic of the Trinity.
The windows are mere slits; those of the tambours (the cylinders on which the cupolas rest) are curved and slant at an angle of 70 degrees, as though the tambours were leaning to one side.
Between the pediment and the cornice a thick corded moulding is carried round the main building. Above this comes a row of circular shields, adorned with intricate arabesques, while bands and wreaths of lilies are everywhere sculptured on the windows, balconies, tambours and cornices, adding lightness to the fabric.
Facing the main entrance is a small open shrine, consisting of a cornice and dome upheld by four pillars.
The Episcopal Cathedral of Curtea de Arges completed in 1521.
The crusader, with a cross in its beak, appear on the back. This crusader eagle was on the coat of arms of the Principality Wallachia of Prince Constantin Brâncoveanu, which united with the Principality of Moldavia in 1859 to form Romania.
Denomination in numeral is in top left corner. In words and in numeral in lower right corner.
Comments:
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