0 Euro 2018. Museum-factory for the production of rum in Madeira, Portugal
| no number in katalog | - |
| Years of issue: | 2018 |
| Edition: | 5 000 |
| Signatures: | Developer: Richard Faille |
| Serie: | Souvenir banknote |
| Specimen of: | 01.2018 |
| Material: | Cotton fiber |
| Size (mm): | 135 x 74 |
| Printer: | Francois-Charles Oberthur Fiduciaire SA, Colombes |
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Description
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The main image is the Madeira Rum Production Museum and a bottle of Branca rum.
The main attraction of the town of Porto da Cruz (Porto da Cruz) was a factory for the production of rum. "From March to May, the last sugar mill on the island fills the town with a sugary aroma." This phrase appears in all the guidebooks of Porto da Cruz.
Sugar cane enriched the first settlers of Madeira: it was even called "white gold" - but the factories were built not only for the extraction of sugar from it, but also for the production of so-called "by-products". It is clear that the first to come to mind such a product derived from sugar cane, was rum.
Companhia dos Engenhos do Norte (translated literally as the "Northern Milling Company") is currently the only company that makes sugarcane in Madeira. In addition, at the existing factory-museum, built in 1927, in Porto da Cruche, it still produced several varieties of rum on the equipment of the XIX century. Address of the company:
Engenhos do Norte
Rua do Cais, nº 6
9225-050, Porto Da Cruz
Madeira (milkov.ru)
Top, left is a flag of EU.
Revers:
Photo collage of famous objects of Europe.
From left to right:
The Brandenburg Gate (German: Brandenburger Tor) is an 18th-century neoclassical triumphal arch in Berlin, and one of the best-known landmarks of Germany. It is built on the site of a former city gate that marked the start of the road from Berlin to the town of Brandenburg an der Havel.
It is located in the western part of the city center of Berlin within Mitte, at the junction of Unter den Linden and Ebertstraße, immediately west of the Pariser Platz. One block to the north stands the Reichstag building that houses the German parliament (Bundestag). The gate is the monumental entry to Unter den Linden, the renowned boulevard of linden trees, which led directly to the royal City Palace of the Prussian monarchs.
It was commissioned by King Frederick William II of Prussia as a sign of peace and built by architect Carl Gotthard Langhans from 1788 to 1791. Having suffered considerable damage in World War II, the Brandenburg Gate was fully restored from 2000 to 2002 by the Stiftung Denkmalschutz Berlin (Berlin Monument Conservation Foundation).
During the post-war Partition of Germany, the gate was isolated and inaccessible immediately next to the Berlin Wall. The area around the gate was featured most prominently in the media coverage of the tearing down of the wall in 1989, and the subsequent German reunification in 1990.
Throughout its existence, the Brandenburg Gate was often a site for major historical events and is today considered a symbol of the tumultuous history of Europe and Germany, but also of European unity and peace. 
Belém Tower (Portuguese: Torre de Belém), or the "Tower of St Vincent", is a fortified tower located in the civil parish of Santa Maria de Belém in the municipality of Lisbon, Portugal. It is a UNESCO World Heritage Site (along with the nearby Jerónimos Monastery) because of the significant role it played in the Portuguese maritime discoveries of the era of the Age of Discoveries. The tower was commissioned by King John II to be part of a defence system at the mouth of the Tagus river and a ceremonial gateway to Lisbon.
The tower was built in the early 16th century and is a prominent example of the Portuguese Manueline style, but it also incorporates hints of other architectural styles. The structure was built from Lioz limestone and is composed of a bastion and a 30-meter (98.4 ft.), four-storey tower. It has incorrectly been stated that the tower was built in the middle of the Tagus and now sits near the shore because the river was redirected after the 1755 Lisbon earthquake. In fact, the tower was built on a small island in the Tagus River near the Lisbon shore.
The Colosseum or Coliseum, also known as the Flavian Amphitheatre (Latin: Amphitheatrum Flavium; Italian: Anfiteatro Flavio or Colosseo), is an oval amphitheatre in the center of the city of Rome, Italy. Built of travertine, tuff, and brick-faced concrete, it is the largest amphitheatre ever built. The Colosseum is situated just east of the Roman Forum. Construction began under the emperor Vespasian in AD 72, and was completed in AD 80 under his successor and heir Titus. Further modifications were made during the reign of Domitian (81-96). These three emperors are known as the Flavian dynasty, and the amphitheatre was named in Latin for its association with their family name (Flavius).
The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles such as mock sea battles (for only a short time as the hypogeum was soon filled in with mechanisms to support the other activities), animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.
Although partially ruined because of damage caused by earthquakes and stone-robbers, the Colosseum is still an iconic symbol of Imperial Rome and is listed as one of the New7Wonders of the World. It is one of Rome's most popular tourist attractions and also has links to the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.
The Eiffel Tower (French: Tour Eiffel) is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed and built the tower.
Constructed from 1887–1889 as the entrance to the 1889 World's Fair, it was initially criticised by some of France's leading artists and intellectuals for its design, but it has become a global cultural icon of France and one of the most recognisable structures in the world. The Eiffel Tower is the most-visited paid monument in the world; 6.91 million people ascended it in 2015.
The tower is 324 meters (1,063 ft.) tall, about the same height as an 81-storey building, and the tallest structure in Paris. Its base is square, measuring 125 meters (410 ft.) on each side. During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest man-made structure in the world, a title it held for 41 years until the Chrysler Building in New York City was finished in 1930. Due to the addition of a broadcasting aerial at the top of the tower in 1957, it is now taller than the Chrysler Building by 5.2 meters (17 ft.). Excluding transmitters, the Eiffel Tower is the second tallest free-standing structure in France after the Millau Viaduct.
The tower has three levels for visitors, with restaurants on the first and second levels. The top level's upper platform is 276 m. (906 ft.) above the ground – the highest observation deck accessible to the public in the European Union. Tickets can be purchased to ascend by stairs or lift to the first and second levels. The climb from ground level to the first level is over 300 steps, as is the climb from the first level to the second. Although there is a staircase to the top level, it is usually accessible only by lift.
The Basílica i Temple Expiatori de la Sagrada Família (Spanish: Basílica y Templo Expiatorio de la Sagrada Familia; English: Basilica and Expiatory Church of the Holy Family) is a large unfinished Roman Catholic church in Barcelona, designed by Catalan architect Antoni Gaudí (1852–1926). Gaudí's work on the building is part of a UNESCO World Heritage Site, and in November 2010 Pope Benedict XVI consecrated and proclaimed it a minor basilica, as distinct from a cathedral, which must be the seat of a bishop.
In 1882, construction of Sagrada Família started under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death at age 73 in 1926, when he was run down by a streetcar, less than a quarter of the project was complete.
Relying solely on private donations, Sagrada Familia's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set light to the crypt and broke their way into the workshop, partially destroying Gaudí’s original plans, drawings and plaster models, which led to 16 years work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Since commencing construction in 1882, advancements in technologies such as computer aided design and computerised numerical control (CNC) have enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolising an important Biblical figure in the New Testament. It is anticipated that the building can be completed by 2026 - the centenary of Gaudí's death.
The basilica has a long history of dividing the citizens of Barcelona: over the initial possibility it might compete with Barcelona's cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build an underground tunnel of Spain's high-speed rail link to France which could disturb its stability. Describing Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages".
Manneken Pis, meaning "Little Pisser" in Dutch) is a landmark small bronze sculpture (61 cm.) in the centre of Brussels (Belgium), depicting a naked little boy urinating into a fountain's basin. It was designed by Hiëronymus Duquesnoy the Elder and put in place in 1618 or 1619. The current statue is a copy which dates from 1965. The original is kept in the Museum of the City of Brussels. Manneken Pis is the best-known symbol of the people of Brussels. It also embodies their sense of humour (called zwanze in the dialect of Brussels) and their independence of mind.
Manneken Pis is located only five minutes' walk from the Grand Place, at the junction of Rue du Chêne/Eikstraat and the pedestrian Rue de l'Étuve/Stoofstraat. This site is served by the premetro station Bourse (on lines 3 and 4) and the bus stops Grand Place and Cesar de Paepe.
On right side is The Mona Lisa.
The Mona Lisa (Italian: Monna Lisa or La Gioconda, French: La Joconde) is a half-length portrait painting by the Italian Renaissance artist Leonardo da Vinci that has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The Mona Lisa is also one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known insurance valuation in history at $100 million in 1962, which is worth nearly $820 million in 2018.
The painting is thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. Recent academic work suggests that it would not have been started before 1513. It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Louvre Museum in Paris since 1797.
The subject's expression, which is frequently described as enigmatic, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism were novel qualities that have contributed to the continuing fascination and study of the work.
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