1 Dollar 1985. Dominica, Organisation of Eastern Caribbean States
| in Krause book | Number: 17a |
| Years of issue: | 1985 - 1988 |
| Edition: | 1 640 378 |
| Signatures: | Governor: Sir Cecil Jacobs (in office 05.07.1983 - 1989) |
| Serie: | No Serie |
| Specimen of: | 1985 |
| Material: | Cotton fiber |
| Size (mm): | 145 х 69 |
| Printer: | TDLR (Thomas de la Rue & Company), London |
* All pictures marked 
are increased partially by magnifying glass, the remaining open in full size by clicking on the image.
** The word "Specimen" is present only on some of electronic pictures, in accordance with banknote images publication rules of appropriate banks.
Description
Watermark:
HM The Queen Elizabeth II.
Avers:
HM The Queen Elizabeth II. The photograph that was used of the Queen was taken in April 1975 by the late Reading-based photographer Peter Grugeon and later released for official use during the Silver Jubilee in 1977. It is one of the more popular images of The Queen. (Peter Symes).
Her Majesty is depicted wearing Grand Duchess Vladimir's tiara, Queen Victoria's Golden Jubilee necklace, the Royal Family Orders of King George VI and George V and Queen Alexandra's Wedding Earrings.
The Grand Duchess Vladimir Tiara.
No tiara is complete without a fascinating backstory, and this one's even got a daring escape. Made by Bolin, it glittered at the Russian royal court on the head of Grand Duchess Vladimir until the revolution, when it was left behind as the family fled. A British agent and friend smuggled it out of Russia to rejoin the exiled Grand Duchess and her collection. After her death, the tiara was bought from her daughter by Queen Mary. It's worn often today by the Queen with pearl or emerald drops, or occasionally with no drops. The pearl drop option has been the most popular with the Queen in recent years, probably owing to her love of white gowns in the evening and accompanying white jewels.
To mark Queen Victoria’s Golden Jubilee in 1887, a committee of ladies was formed to raise money for a commemorative statue of Victoria’s late husband Prince Albert. The committee’s fundraising was quite successful, and they ended up raising far more than was required for the statue. An agreement was formed with the Queen that the excess should go to the St. Katherine’s Fund for Nurses. At the same time, some members of the committee decided that a portion of the funds should be used to purchase a necklace for the Queen - and this was also approved by Her Majesty.
The trouble was, the committee did not agree on the necklace. Some felt it would be wrong to spend the funds which had been previously devoted to charity on something else. Much discussion and debate ensued, as is described in depth in Hugh Roberts’ book The Queen’s Diamonds. (My favorite tidbit: Queen Victoria, angry that she wouldn’t get her promised necklace, shot down the prospect of a diamond badge commemorating the nursing fund by declaring she would “at once exchange it for another jewel”.
In the end, a compromise was reached and this necklace, made for £5000 (far less than the necklace originally proposed) from gold, diamonds, and pearls by Carrington & Co. was presented to Queen Victoria in 1888. It features a central quatrefoil diamond motif with a large pearl in the middle, topped by a crown and underlined with a drop pearl. The next four links in either direction are graduated trefoil motifs; the central piece and the six largest trefoils can also be worn as brooches.
She is also wearing Queen Alexandra’s Cluster Earrings. The wedding gift from the future King Edward VII to his bride, Alexandra of Denmark. Also known as Queen Alexandra's Cluster Earrings, these two button earrings have large pearls surrounded by diamonds - 10 larger stones each plus smaller filler stones to create a full diamond ring. Like the brooch, these passed to the Queen via Queen Mary. They're now worn primarily at evening functions.
Royal Family Orders.
King George IV started a practice in the British royal family which continues today: the awarding of family orders. These are diamond-set portraits of the monarch suspended from a silk bow (the color varying by reign), and they are today given to female royal family members of the sovereign's choosing as a personal gift.
Queen Elizabeth was first given her grandfather George V's order, set on pale blue silk.
Followed by her father George VI's, on pink silk, and she wears them both today. (A royal lady can wear all the family orders she has at once.) The orders are positioned on the left shoulder. They are worn for the most formal events, and can usually be seen on the Queen when she's at a tiara event.
In most renditions of this portrait, the Royal Family Order of King George VI is apparent below the left-hand shoulder of Her Majesty, while the uppermost portion of the Royal Family Order of King George V is apparent in only some renditions of the portrait. (Her majesty's Jewel Vault)
On the left side is the windsurfer.
On the right side is the map of the East-Caribbean islands.
Denominations in numerals are in three corners, in words centered.
Revers:
The Coconut palm tree in the foreground, on the background is view of the coast.
Below is the Atlantic blue marlin (Makaira nigricans) is a species of marlin endemic to the Atlantic Ocean. The Atlantic blue marlin (hereafter, marlin) feeds on a wide variety of organisms near the surface. It uses its bill to stun, injure, or kill while knifing through a school of prey, then returns to eat.
On the left side is Solandra guttata (Chalice Vine or Cup of Gold).
Mexican evergreen climbing plant having large solitary funnel-shaped fragrant yellow flowers with purple-brown ridges in the throat.
Denominations in numerals are in three corners, in words lower.
Comments:
The De La Rue engraving, as well as reflecting the differences mentioned in Portrait 17a, also represents The Queen with a more cheerful aspect, achieving this through slight differences around Her eyes and lips.
Bradbury Wilkinson's version of this portrait has less shading on The Queen's neck just above Her necklace, than is apparent on the De La Rue engravings (Portrait 17b). There are other subtle variations to the second version, noticeably in the patterns on Her Majesty's dress.
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