1000 Rupiah 1959, Indonesia
| in Krause book | Number: 71b |
| Years of issue: | 01.05.1960 - 31.12.1966 |
| Edition: | -- |
| Signatures: | Gubernur: Loekman Hakim, Direktur: TRB. Sabaroedin |
| Serie: | Flower Series 1959 |
| Specimen of: | 01.01.1959 |
| Material: | Cotton fiber |
| Size (mm): | 173 x 89 |
| Printer: | TDLR (Thomas de la Rue & Company), London |
* All pictures marked 
are increased partially by magnifying glass, the remaining open in full size by clicking on the image.
** The word "Specimen" is present only on some of electronic pictures, in accordance with banknote images publication rules of appropriate banks.
Description
Watermark:
The National emblem of Indonesia is called Garuda Pancasila. The main part of Indonesian national emblem is the Garuda with a heraldic shield on its chest and a scroll gripped by its legs. The shield's five emblems represent Pancasila, the five principles of Indonesia's national ideology. The Garuda claws gripping a white ribbon scroll inscribed with the national motto Bhinneka Tunggal Ika written in black text, which can be loosely translated as "Unity in Diversity". Garuda Pancasila was designed by Sultan Hamid II from Pontianak, supervised by Sukarno, and was adopted as the national emblem on 11 February 1950.
Avers:
On banknote - Jasminum sambac - the national flower of Indonesia.
Jasminum sambac is a species of jasmine native to a small region in the eastern Himalayas in Bhutan and neighbouring India and Pakistan. It is cultivated in many places, especially across much of South and Southeast Asia. It is naturalized in many scattered locales: Mauritius, Madagascar, the Maldives, Cambodia, Java, Christmas Island, Chiapas, Central America, southern Florida, the Bahamas, Cuba, Hispaniola, Jamaica, Puerto Rico, and the Lesser Antilles.
Jasminum sambac is a small shrub or vine growing up to 0.5 to 3 m. (1.6 to 9.8 ft.) in height. It is widely cultivated for its attractive and sweetly fragrant flowers. The flowers are also used for perfumes and for making tea. It is known as the Arabian jasmine in English. It is the national flower of the Philippines, where it is known as sampaguita. It is also one of the three national flowers of Indonesia, where it is known as melati putih.
Jasminum sambac (Indonesian: melati putih) is one of the three national flowers in Indonesia, the other two being the moon orchid and the giant padma. Although the official adoption were announced only as recent as 1990 during World Environment Day and enforced by law through Presidential Decree No. 4 in 1993, the importance of Jasminum sambac in Indonesian culture long predates its official adoption. Since the formation of Indonesian republic during the reign of Sukarno, melati putih is always unofficially recognized as the national flower of Indonesia. The reverence and its elevated status mostly due to the importance of this flower in Indonesian tradition since ancient times.
It has long been considered a sacred flower in Indonesian tradition, as it symbolizes purity, sacredness, graceful simplicity and sincerity. It also represents the beauty of modesty; a small and simple white flower that can produce such sweet fragrance. It is also the most important flower in wedding ceremonies for ethnic Indonesians, especially in the island of Java. Jasmine flower buds that have not fully opened are usually picked to create strings of jasmine garlands (Javanese: roncen melati). On wedding days, a traditional Javanese or Sundanese bride's hair is adorned with strings of jasmine garlands arranged as a hairnet to cover the konde (hair bun). The intricately intertwined strings of jasmine garlands are left to hang loose from the bride's head. The groom's kris is also adorned with five jasmine garlands called roncen usus-usus (intestine garlands) to refer its intestine-like form and also linked to the legend of Arya Penangsang. In Makassar and Bugis brides, the hair is also adorned with buds of jasmine that resemble pearls. Jasmine is also used as floral offerings for hyangs, spirits and deities especially among Balinese Hindu, and also often present during funerals. In South Sumatran traditional costume, the bungo melati pattern in Palembang songket fabrics depicts the jasmine to represent beauty and femininity.
The jasmine has wide spectrums in Indonesian traditions; it is the flower of life, beauty and festive wedding, yet it is also often associated with spirit and death. In Indonesian patriotic songs and poems, the fallen melati often hailed as the representation of fallen heroes that sacrificed their life and died for the country, the very similar concept with fallen sakura that represent fallen heroes in Japanese tradition. The Ismail Marzuki's patriotic song "Melati di Tapal Batas" (jasmine on the border) (1947) and Guruh Sukarnoputra's "Melati Suci" (sacred jasmine) (1974) clearly refer jasmine as the representation of fallen heroes, the eternally fragrance flower that adorned Ibu Pertiwi (Indonesian national personification). The Iwan Abdurachman's "Melati dari Jayagiri" (jasmine from Jayagiri mountain) refer jasmine as the representation of the pure unspoiled beauty of a girl and also a long lost love. 
Denominations in numerals are in 3 corners. Centered in words.
Revers:
On banknote are the Lesser birds-of-paradise (Paradisaea minor).
The lesser bird-of-paradise is medium-sized, up to 32 cm-long, maroon-brown with a yellow crown and brownish-yellow upper back. The male has a dark emerald-green throat, a pair of long tail-wires and is adorned with ornamental flank plumes which are deep yellow at their base and fade outwards into white. The female is a maroon bird with a dark-brown head and whitish underparts. Further study is required, but it seems likely that birds-of-paradise also possess toxins in their skins, derived from their insect prey.
It resembles the larger greater bird-of-paradise, but the male of that species has a dark chest, whereas the female is entirely brown (no whitish underparts).
Birds are distributed throughout forests of northern New Guinea, and the nearby islands of Misool and Yapen. Widespread and common throughout its large range, the lesser bird-of-paradise is evaluated as Least Concern on the IUCN Red List of Threatened Species. It is listed on Appendix II of CITES.
Denominations in numerals are in top left and lower right corners.
Comments:
The signature of the governor on the note is slightly different from his own signature in other denominations of this series!
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